By David Graeber and Pinar Öğünç
December 26, 2014
Posted in: Kurdistan, Middle East, Politics/Gov., Reimagining Society, Syria
Professor of Anthropology at the London School of Economics, activist, anarchist David Graeber had written an article for the Guardian in October, in the first weeks of the ISIS attacks to Kobane (North Syria), and asked why the world was ignoring the revolutionary Syrian Kurds.
Mentioning his father who volunteered to fight in the International Brigades in defence of the Spanish Republic in 1937, he asked: “If there is a parallel today to Franco’s superficially devout, murderous Falangists, who would it be but ISIS? If there is a parallel to the Mujeres Libres of Spain, who could it be but the courageous women defending the barricades in Kobane? Is the world -and this time most scandalously of all, the international left- really going to be complicit in letting history repeat itself?”
Andy Wightman Some Thing Is Missing interview
“Some at the meeting called for a discount on their council tax and questioned why local residents were not offered free tickets for the opening ceremony.” From article in Games Monitor 2014 Angry scenes as residents attack Games disruption (Herald) A connected topic was the opening of the Kelvingrove Bandstand after a twenty five year campaign by local people. It saw very few of them enjoying bacon rolls at the proceedings. The event was all tickets, and held at 9:30 on a Thursday morning? If it wasn’t for the school kids that are used to bulk out these occasions, and the suits, the place would have looked empty. Yet when extra tickets were applied for folk were told that they had run out. The real legacy of the games will start to unfold from now till they are finished. Who has an opening ceremony at 9:30 in the morning? Business folk while everybody else is at work. Whose bandstand is this? We will soon find out as the £40 tickets for the first gigs are sold. How will they stop people listening for free. Raising the fences, so you can’t see, blocking off the streets, banning folk from that end of the park. We shall soon see what happens to a DIY performance space when it is sanitised with corporate fairy dust and renders another opportunity for business in community space. If you think I am being cynical read the Games Monitor2014 the Games Monitor2012 or the history of these mega events, you soon get the picture.
The fight for the bandstand may not be over till we see the councils user policy is for this well respected public space. Can those who made it possible us it? Or afford to use it?
Opening ceremony 2014 – Kids Fun Day 1995
Following from westendreport.com
A shout of frustration, not protest, rang out at today’s re-opening ceremony for the Kelvingrove Bandstand and Amphitheatre, writes Ginny Clark. Continue reading
By Michael Albert
Source Z Communications
Greenwald is as quick, succinct, and clear in conversation as he appears in videos. He stuck me as likeable and certainly not the harsh fellow he is often made out to be. But some of his interview answers were troubling.
Greenwald understands the coercive possibilities of capitalist owners or the state curtailing adversarial journalism from above. That is the danger Greenwald believes will not overtake First Look/Intercept because he feels the owner, Pierre Omidyar, is sincerely committed to never imposing restrictions and, more positively, to actively establishing a journalism-friendly workplace.
Keep reading article INTERCEPT?
Times are hard for all media, and particularly for alternative media. This is due to a combination of factors including but not limited to a growing audience disinclination to pay for information. If you couple that with alternative media being unable, in many cases, to get foundation or large donor funding, and with its commitment to not selling its audience to advertisers, which would likely yield little revenue in any event, the situation becomes dire.
In the face of such trends, only a few avenues, other than surrender and dissolution, exist.
- A project can seek to generate new income from new channels, to pay its bills.
- A project can severely reduce its costs.
- A project can convince its audiences that support is desirable and worth their attention.
Z is following all these paths.
Keep Reading article The Future of ZCommunications
A graphic novel from our friends in LA. Do we need a new water ethic? Global water policy? Who owns our water?