Scottish author James Kelman talks about his early life and loves, and the controversy around his 1994 Booker Prize win.
Another industrial eyesore removed from the historical conscience
The antiques warehouse that used to sit on the waterfront giving a bit of diversity of why folk would be attracted to the river side. Burnt to a cinder over a weekend. No doubt to be replaced by more sterile blocks of flats. Eyesores to the gentrifiers, or should we say cultural colonisers, is anything that might sit at a funny angle, never mind architectural or historical significance, to the grid mentality that builds, not so much flats, but rather, sells investment in cubic meters of walled concrete. Continue reading